The rustic-romantic touch extends to the outdoors, where Yola has fashioned a picturesque gazebo (above) out of a giant bamboo poles and cogon grass. She had carpenters build a 3 sq-m. raised pavilion - a Tea House, as she calls it - just one giant step from the sala. There she serves coffee on a squat wicker table, lights big scented candles and displays "Amorsolo" - her latest sun-gold abaca fabric.
Dining under the trellis (right). On dry evenings under starry skies, Yola transforms her backyard trellis into an idyllic dining setting, graced with fine white tarring cloth from the Visayas and embroidered linens from Taal, Batangas; candles suspended on a metal scale; and a centerpiece of anthuriums among glass balls.
The craftswoman has a knack with natural wood and fabrics. The master bedroom holds two rustic beds (one a tindalo-modern; the other old Ifugao); copper and silk curtains by Silk Cocoon; and a rural pillow holder called an almario. A quiet corner (right) displays a red t'nalak lampshade; a cane-woven daybed called a papag; and a baul (trunk) bearing white lilies. A distinctive Shaker-style aparador (cabinet) defines the long corridor and is set under a haunting painting by old master Constancio Bernardo. Yola says: "I love the spare lines in furniture and the torn, natural look in fabrics."
Yola and Popi's handcrafted furnishings of choice (clockwise from top left) are: Yola's favorite red-glazed stoneware bowls by Jon Pettyjohn, "with a blue comet within." Popi's biggest worldly treasure, the aparador (cabinet), custom-made by Osmundo Gallery. Three sketches by Roberto Chabet; (Three prints in her sitting room are by Jonathan Olazo). Parts of her 15-piece rustic stoneware tea set by Pettyjohn. And at the bottom of Popi's spiral staircase to the sleeping loft is an old period style armchair-found in a junk sale and resuscitated to rustic-elegant glory.
Popi Laudico. All Rights Reserved.
Popi Laudico. All Rights Reserved.